秩序——中国新绘画案例研究（二）
​order: a case study of chinese new painting (II)

秩序（ORDER），作为一种意趣，是贡布里希在20世纪80年代提出的，⼴泛存在于⼈类创作的艺术中装饰性的⼼理学表征。伴随着当代艺术的流变、社会理论的衍化、哲学研究的推展，“秩序”一词的讨论范畴也逐渐扩⼤。本展览集结了六位艺术家，延续又生空间的“中国新绘画案例研究”系列展览，从形式秩序、社会秩序和情感秩序等角度，探索“秩序”的当代演绎。  Order, as a concept, was proposed by E.H. Gombrich in the 1980s, is a psychological representation of decorativeness widely found in human artistic creations. Along with the flow of contemporary art, the development of social theory and the advancement of philosophical research, the scope of discussion on the term 'order' has gradually expanded. This exhibition brings together six artists to continue the research on 'Chinese New Painting' at CYCLE SPACE, exploring the contemporary interpretation of 'order' from perspectives such as formal order, social order, and emotional order.