界限消失
​dissolving boundaries - group exhibition

公共赋予的“理所当然”与个体体验到的“荒诞不经”剧烈碰撞，支撑我们认知的“界限”倒塌。我们被迫直面存在的或然性本质。“界限消失”的瞬间。并非外部的灾难，而是内在认知的剧震。面对意义的废墟，艺术家往往有责任一次次呈现自我的“界限消失”，呈现自己独立而真实对抗混沌的辩证法。冯嫣关注公共意义与失序之间的张力。通过感官体验梳理个体经验。孙珂则聚焦于物质与记忆的转化，隐喻意义本身的脆弱与重构的可能。苏昱铭以光谱作序分解界限，温和动能坚定对抗。马小萌以充满错位与疏离的影像语言，揭示日常表象下的裂隙。 The intense collision between the "taken for granted" bestowed by the public and the "absurd" experienced by individuals has led to the collapse of the "boundaries" that support our cognition. We are forced to confront the probabilistic nature of existence. The moment when "boundaries disappear". It is not an external disaster, but a dramatic shock in internal cognition. In the face of the ruins of meaning, artists often have the responsibility to repeatedly present the "disappearance of their own boundaries", and to present their independent and true dialectics against chaos. Feng Yan focuses on the tension between public significance and disorder. Sort out individual experiences through sensory experiences. Sun Ke focuses on the transformation of matter and memory, the fragility of metaphorical meaning itself and the possibility of its reconstruction. Su Yuming decomposed the boundaries with the sequence of the spectrum, and the gentle kinetic energy firmly resisted.Toi, with her visual language full of dislocation and estrangement, reveals the cracks beneath the surface of daily life.