静态流痕——郑丽晶个展
flow traces - zheng lijing’s solo exhibition

2025.10.25 - 2025.11.30

郑丽晶的热爱与探索，更专属于东方，也更接近于当下生活，我们无法确定筛选后的“当代”是什么，但她的作品，注定是新一代“信徒”中的浓重一抹，体现着坦培拉--这种古老记忆在下一代的更多可能性，融合后的讲述不仅跨越地域，还有时间与空间.这陌生的可能性与传承带给人期望。传承与改变是当代的议题，“当代”这个词，又归属每一个时代。油画技术从中亚普及至欧洲乃至世界已有近千年，这种古老技艺在曾经的“当代”，像坦培拉的接替者，起初人们依旧没有忘记那些对神性的精神追求，依旧描绘着无我状态下的神灵，但伴随着文艺复兴的来临，我们对神性的定义开始了转变但追求没有变。绘画艺术从具象到抽象，从天堂到人间，从祭坛画到超现实主义，始终是强调内在思考和关注当下体验，这个过程不仅是绘画史发展的过程，也是社会人文学发展的过程，更是人类认知变化的过程。 The passion and exploration of Zheng Lijing are more uniquely rooted in the East and closer to contemporary life. We cannot definitively define what the "contemporary" is after such filtering, yet her works are destined to be a striking highlight among the new generation of "devotees" — embodying more possibilities for tempera, this ancient technique, in the hands of the next generation. The narrative after integration transcends not only geographical boundaries, but also time and space. These unfamiliar possibilities and heritage inspire hope.Heritage and transformation are key themes of the contemporary era, yet the term "contemporary" belongs to every age. It has been nearly a millennium since oil painting techniques spread from Central Asia to Europe and beyond. In its own "contemporary" era, this ancient art form, much like the successor to tempera, initially still retained people’s spiritual pursuit of the divine — they continued to depict deities in a state of selflessness. However, with the advent of the Renaissance, our definition of the divine began to shift, while the pursuit itself remained unchanged.

现场图片
Scene Pictures

艺术家简介
Artist Profile

郑丽晶 Zheng Lijing

艺术家 Artist

郑丽晶生于福建，现定居杭州从事专业艺术创作，2021 年、2024 年先后取得中国美术学院壁画系学士、硕士学位，深耕东方壁画、坦培拉与浅浮雕综合媒介创作体系。求学期间斩获林风眠创作金奖，入选浙江省主题美术大展、HOWART 后毕业季新锐扶持计划，曾参与开化寺古壁画溯源创作项目，扎实建立传统壁画语言根基。职业阶段在北京 798 又生空间举办个展《静态流痕》，持续亮相芊荷艺术空间、丛生艺术等国内专业画廊群展，作品被私人藏家与艺术机构收藏，是国内专注坦培拉当代转化的青年代表性艺术家。

郑丽晶以传统坦培拉、浅浮雕木板画为核心载体，融合敦煌壁画、中古圣像绘画的古朴质感与当代心理叙事。画面搭建虚实交错的矛盾空间，将神兽、人形、居家器物、幻境建筑并置，以隐喻化形象投射现代人隐秘情绪、内在欲望与精神困境，在人间烟火与神异世界之间构建荒诞又温柔的视觉剧场。她保留坦培拉细腻温润的平涂肌理与低饱和复古色调，依托浮雕凹凸层次强化画面叙事张力，既延续东方壁画的象征性文脉，又以私人化精神视角重构古老绘画技艺，探讨梦境、独处、自我隔阂等当代个体内心命题，让传统材料承载全新的当代精神表达。

Zheng Lijing was born in Fujian and now resides in Hangzhou, engaged in professional art creation. She obtained her bachelor's and master's degrees from the Mural Department of China Academy of Art in 2021 and 2024 respectively, and has been deeply involved in the comprehensive media creation system of Oriental murals, Tempera and bas-relief. During my studies, I won the Gold Award for Lin Fengmian's creation, was selected for the Zhejiang Provincial Theme Art Exhibition and the HOWART Post-Graduation Season New Talent Support Program, and participated in the project of tracing the origin of ancient murals in Kaihua Temple, laying a solid foundation for traditional mural language. During his professional career, he held a solo exhibition titled "Static Flow Traces" at Yousheng Space in 798, Beijing. He has continuously appeared in group exhibitions at domestic professional galleries such as Qianhe Art Space and Congsheng Art. His works have been collected by private collectors and art institutions. He is a representative young artist in China who focuses on the contemporary transformation of Tempera. Zheng Lijing takes traditional Tempura and bas-relief woodblock paintings as the core carriers, integrating the ancient texture of Dunhuang murals and medieval sacred image paintings with contemporary psychological narratives. The picture builds a contradictory space where the real and the illusory interweave. It juxaves divine beasts, human figures, household utensils, and illusory buildings, using metaphorical images to project the hidden emotions, inner desires, and spiritual predicaments of modern people. It constructs a visual theater that is both absurd and gentle between the hustle and bustle of the human world and the supernatural world. She retains the delicate and warm flat coating texture and low-saturation retro tones of Tempera, and relies on the embossed concave-convex layers to enhance the narrative tension of the picture. It not only continues the symbolic cultural heritage of Eastern murals but also reconstructs the ancient painting techniques from a personal spiritual perspective, exploring contemporary individual inner issues such as dreams, solitude, and self-isolation, allowing traditional materials to carry a brand-new contemporary spiritual expression.