声喧乱石——纪福堂个人项目
Sound amidst the rocks—solo project of ji futang

2026.8.14 - 2026.9.12

2026年8月14日，展览《声喧乱石——纪福堂个人项目》于北京798艺术区又生空间CYCLE SPACE开幕。“声喧乱石中，色静深松里。”王维在《青溪》中的这联诗，千年来被视作山水诗“有声画”的典范。此刻，当我们面对纪福堂的作品，那诗中的声与色仿佛从纸面溢出，不是古典的回响，而是属于当下的、关于自然与时间的凝视。这位从泰山脚下走出的画家，将笔触伸向大自然中最朴素的元素——空气、山石、流水、树林。它们美好，却也伴随着即将发生的破坏、灾难，甚至永久的毁灭与消逝。这种对自然既迷恋又清醒的认知，贯穿于他所有的创作。如果有一种声音没有变过的话，那就是是河水流淌的声音。 On August 14th, 2026, the exhibition "Sound Amidst the Rocks" opened at CYCLE SPACE in the 798 Art Zone, Beijing. “Amid chaotic rocks the stream roars loud; beneath dense pines all hues sink quiet.” For over a thousand years, this couplet from Wang Wei’s Green Stream has been hailed as a model of “painting with sound” in Chinese landscape poetry. Standing before Ji Futang’s works today, the sounds and colours evoked by the verse seem to spill off the page—not an echo of antiquity, but a contemporary gaze directed toward nature and time. Emerging from the foothills of Mount Tai, the painter turns his brush to the humblest elements of nature: air, crags, running water and woodlands. They radiate beauty, yet carry the foreshadowing of disruption, catastrophe, even permanent loss and vanishing. This dual perception of nature, equal parts fascination and sober awareness, runs through all his creations. If one sound endures unchanged, it is the murmur of flowing rivers.

现场图片
Scene Pictures

艺术家简介
Artist Profile

纪福堂 Ji Futang

艺术家 Artist

1980年生于山东泰安，现工作生活于北京，为当代青年画家。2008年毕业于中央美术学院。绘画主题专注于大自然中的山、水、鸟兽、空气和树林的描绘，对自然中的山石、流水、树林、花草等有着深刻的迷恋。其作品常探讨自然之美与灾难、消逝的并存，注重对时间常态和自然生命力的表达。画风自然、朴实、多变，注重形式语言的探索，常采用纸本综合材料、布面丙烯、油画等媒介，画面常带有抽象与具象结合的视觉归纳。曾参加的个人展览包括2018年《桃枝妖妖——纪福堂作品展》（北京复言社）；2016年《残留的景色——纪福堂作品展》（北京复言社）；2015年《那时那景——纪福堂作品展》（北京复言社）、《野生哲学——纪福堂作品展》（台北十方艺术空间）；2013年《仲夏之夜》双个展（北京嘉空间）、《痕迹》作品展（北京雍和空间）等。曾参加的群展有：《万物生-思与境偕》（北京复言社）、《见面“80后”青年艺术家联展》（北京C+space）等展览。

Born in Tai 'an, Shandong Province in 1980, he currently works and lives in Beijing and is a contemporary young painter. Graduated from the Central Academy of Fine Arts in 2008. The painting themes focus on the depiction of mountains, water, birds and beasts, air and forests in nature, with a profound fascination for the rocks, flowing water, forests, flowers and grass in nature. His works often explore the coexistence of the beauty of nature with disasters and disappearance, emphasizing the expression of the normality of time and the vitality of nature. The painting style is natural, simple and diverse, emphasizing the exploration of formal language. It often employs various media such as paper-based mixed materials, acrylic on canvas, and oil painting. The pictures often feature a visual summary that combines abstraction and concreteness. The solo exhibitions he has participated in include "Taozhi Yaoyao - Ji Futang's Works Exhibition" in 2018 (Beijing Fuyan Gallery). "Remaining Scenery - Ji Futang's Works Exhibition" (Beijing Fuyan Gallery), 2016 In 2015, "That Time, That Scene - Ji Futang's Works Exhibition" (Fuyan Gallery, Beijing) and "Wild Philosophy - Ji Futang's Works Exhibition" (Shifang Art Space, Taipei) In 2013, there were two solo exhibitions such as "Midsummer Night" (at Jia Space, Beijing) and "Traces" (at Yonghe Space, Beijing). The group exhibitions I have participated in include: "All Things Born - Thoughts and the Environment Go Hand in Hand" (Beijing Fuyan Society), "Meeting '80s' Young Artists Joint Exhibition" (Beijing C+space), and others.